Pour célébr­er l’univers d’Ora-ïto , l’em­blé­ma­tique con­cept-store de la rue Saint Hon­oré, Co­lette, lui rend hom­mage en lui dé­diant ses vit­rines. Dès lors, le de­sign­er prend le par­ti d’y présen­ter ses dernières créa­tions pour Christofle et Stein­er et po­si­tionne le par­fum Miss Puc­ci comme point cen­tral et fil rouge de cette ex­po­si­tion éphémère.More information

The bot­tle de­signed by Ora-Ïto is based on a graph­ic mo­tif, the small oval bub­ble mo­tif that re­curs of ten in Puc­ci prints, most notab­ly in the Vi­vara print. Ora Ito trans­lat­ed this icon­ic Puc­ci mo­tif in­to a pre­cious bot­tle, em­body­ing the mai­son’s fun­da­men­tal codes. More Information

The bot­­tle, curvy, gild­ed and fu­­turis­tic, shines like a gol­d­en tear­­drop. Idylle, of course, is a wo­m­an, the essence of a wo­m­an; a drop of gold.More Information

Unit­ing mod­er­ni­­ty, lux­u­ry and refine­­ment, it fits in the hand like a piece of am­ber. Round and soft like a pe­b­ble, it is filled with the promis­es of more beau­ti­­ful skin.More Information

Le de­sign­er français s’em­pare de l’héri­tage Stein­er pour sign­er une sculp­tu­rale col­lec­tion de mo­bili­er, re­nouant avec l’es­prit fu­turiste de la fin des an­nées 1960. Un tour de force tech­nique et es­thé­tique d’une rad­i­cale moder­nité.More Information

Pour répon­dre aux nou­velles façons de vivre, seul, en cou­ple ou en famille, Dun­lop­il­lo a choisi de faire ap­pel à un de­sign­er ta­l­entueux et re­con­nu, Ora-ïto, à l’écoute des nou­velles at­tentes sans pour au­tant faire table rase des valeurs his­toriques de la marque, qui com­bi­nent an­ti-con­for­misme et com­plic­ité, mais aus­si savoir-faire et con­fort. More Information

Break­ing all of the estab­lished codes, the po­­lyurethane ORA-GA­­MI armchair, true icon of the col­lec­­tion, is char­ac­­terised by the pu­ri­­ty of its line and its graph­ic vol­ume in­­spired by the orig­i­­nal shape of the armchair.More Information

Ora-Ito want­ed to pay ho­mage to Ayr­ton Sen­na by de­sign­ing this mod­el where the bed­side ta­bles are in­te­grat­ed in­to the bed to cre­ate an orange key shape. This de­sign cre­ates in turn a cut­away, which serves as a stor­age space in the form of a For­mu­la 1 cir­cuit.More Information

The Goren­­je col­lec­­tion by Ora-Ito is made up of a se­lec­­tion of fridge-freez­ers, mul­ti­­func­­tio­n­al built-in ovens, glass ce­ram­ic hobs, evac­u­a­­tion hoods, as well as de­c­o­ra­­tive pan­els for in­­te­­grat­ed dish­wash­ers and mi­crowaves. More Information

Soft round­ed so­­fa that takes an ar­chi­tec­­tu­ral di­­men­­sion speak­ing about its lines, shapes and coloured hol­low joint de­signs the space around it. Of­fer­­ing a tra­di­­tio­n­al com­­fort, how­ev­er cre­at­ing soft­­er lines mak­ing it more sta­­tu­­to­ry.More Information

The Parisian Ren­dez-Vous Toy­o­­ta show­­room has changed the store con­­cept im­age, with a the­a­tri­­cal back­­­drop which fades in­­­to the back­­­ground in or­der to set off the cars on dis­­­play. Toy­o­­ta wan­t­ed to com­bine it with a place to eat, that Ora-Ito con­­ceived as a mod­­i­­fi­able space.More Information

For Arte­lano, Ora-Ito has de­signed an eco­log­i­­cal book­­case con­struc­t­ed from re­­cy­­clable ma­te­rials orig­i­­nat­ing from cer­ti­­fied forests. It can be as­sem­bled with­­out fas­ten­ings us­ing a sim­­ple fit­t­ing. By com­bin­ing curves and flats in the style so char­ac­­teris­tic of the de­sign­er, it sk­il­­ful­­ly makes re­f­er­ence to the 70s.More Information

Based on the idea of dis­­­tor­­tion, the col­lec­­tion of «mo­­bil com­­pos­able» and side­board fur­ni­­ture for the lounge al­lows it to take ad­­van­­tage skil­l­­ful­­ly of sev­er­al depths and of­fers var­i­ous ty­polo­­gies of ar­range­­ment.More Information

For Ora-Ito, na­­ture is an in­­ex­hausti­ble source of in­­spi­ra­­tion. Ver­i­ta­ble sculp­­tures for the home, th­ese can­de­labras ex­­press a free-flow­ing es­­­thet­ic in­­ter­ac­­tion be­tween the idea of un­­tamed na­­ture — the “ar­­bores­­cence” of the sil­ver ma­te­rial, which takes on a bo­­tan­i­­cal ap­­pear­ance with branch-like shapes — and the mas­tery of ar­chi­tec­­tu­ral lines.More Information

Here again, we find the iden­ti­­fy­ing sig­­na­­tures of Ora-Ito’s for­­mal ap­proach: the curve and coun­ter-curve, the bro­ken line that ex­em­­pli­­fies the es­­­thet­ic of the col­lec­­tion, as well as ex­ac­t­ing stric­t­­ness and lin­ear­i­­ty.More Information

Ora-Ïto cre­ates a no­­madic make-up kit for the first brand of Fred Far­ru­­gia. De­ter­mined­­ly prac­ti­­cal, beau­ti­­ful and sim­­ple at the same time, he imagines the make-up kit of the fu­­ture, «the palette» with prod­ucts tak­ing the form of « mo­d­ules « which compile and clip some in­­­side the others.More Information

Mo­d­u­lar so­­fa in var­i­ous el­e­­ments: right and left end mo­d­ules in dif­fer­­ent sizes, and corn­er, sup­­ple­­men­t­ed by a so­­fa and a armchair. Struc­­ture in beech and po­­plar and spring sys­tem with elas­tic we­b­bing on me­t­al frames. All pad­d­ing is in dif­fer­­en­ti­at­ed-den­si­­ty po­­lyurethane. On­­ly the seat cushions have re­­mov­able cov­­ers.More Information

The main char­ac­­teris­tic of the space re­de­signed by Ora-Ito is its mod­er­ni­­ty. The sur­round­ings are in­­­cred­i­b­­ly fu­­turis­tic but the am­biance is soft and sen­­su­al. The rad­i­­cal ar­chi­tec­­ture of the premis­es nev­er­the­­less re­­mains log­i­­cal and ra­­tio­n­al.More Information